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Anna Christie is a play in four acts by Eugene O'Neill. It made its debut at the Vanderbilt Theatre on November 2, 1921. O'Neill received the 1922 Pulitzer Prize for Drama for this work. According to historian , the character of Anna Christie was based on Christine Ell, an anarchist cook in Greenwich Village, who was the lover of , a Belgian-born radical living in England who libeled the British king . Paul Avrich, Anarchist voices (Princeton University Press, 1995, page 490, and Note, 264, page 500.


Plot summary
Anna Christie is the story of a former prostitute who falls in love, but runs into difficulty in turning her life around.

Act I
The first act takes place in a bar owned by Johnny the Priest and tended by Larry. Coal-barge captain Old Chris receives a letter from his daughter, a young woman he has not seen since he lived in Sweden with his family and she was five years old. They meet at the bar and she agrees to go to the coal barge with him.


Act II
The barge crew rescues Mat Burke and four other men who survived a shipwreck in an open boat. Anna and Mat don't get along at first, but quickly fall in love.


Act III
A confrontation on the barge among Anna, Chris and Mat. Mat wants to marry Anna, Chris does not want her to marry a sailor, and Anna doesn't want either of them to think they can control her. She tells them the truth about her past: She was raped while living with her mother's relatives on a Minnesota farm, worked briefly as a nurse's aide, then became a prostitute. Mat reacts angrily, and he and Chris leave.


Act IV
Mat and Chris return. Anna forgives Chris for not being part of her childhood. After a dramatic confrontation, Anna promises to abandon prostitution and Mat forgives her. Chris agrees to their marriage. Chris and Mat have both signed to work aboard a ship that is leaving for South Africa the next day. They promise to return to Anna after the voyage.


Cast and characters

Characters
  • Anna Christie — Chris's daughter, a young woman marked by a turbulent past
  • Mat Burke — Anna's lover, a tall rugged stoker of the sea
  • Chris C. Christopherson — Father of Anna, captain of the barge Simeon Winthrop
  • Marthy Owen – A rough and hard-drinking companion to Christopherson
  • Johnny the Priest – presides over the saloon where Anna and Chris reconnect
  • Larry — bartender
  • Johnson — deckhand on barge
  • Two longshoremen
  • A postman


Notable casts


Productions
O'Neill's first version of this play, begun in January 1919, was titled Chris Christopherson and performed as Chris in out-of-town tryouts. O'Neill revised it radically, changing the barge captain's daughter Anna from a pure woman needing to be protected into a prostitute who finds reformation and love from life on the sea. The new version, now titled Anna Christie, premiered on at the Vanderbilt Theatre on November 2, 1921, and ran for 177 performances before closing in April 1923. The production was staged by and starred .Schmidt, Shannon McKenna and Joni Rendon. Novel Destinations: Literary Landmarks from Jane Austen's Bath to Ernest Heminway's Key West. Washington, D.C.: National Geographic, 2008: 13.

Alexander Woollcott in The New York Times called it "a singularly engrossing play", and advised "all grown-up playgoers" to see it.

The West End premiere was staged at the (now the Novello) in 1923. This was the first time an O'Neill play was seen in the West End. The play starred Pauline Lord, who had been the original Anna Christie on Broadway. The play had a great reception. Time magazine wrote, "In London, the first night of Eugene O'Neill's Anna Christie, with Pauline Lord in the title role, received a tremendous ovation. After the first act the curtain was rung up a dozen times during the applause."


Revivals
  • 1952: The play was revived at the Lyceum Theatre on January 23, 1952, staged by Michael Gordon and designed by Emeline C. Roche with as Anna, Kevin McCarthy, and Arthur O'Connell. It ran for 8 performances.
  • 1955: The play was revived at the Teatro 5 de diciembre of , directed by . It starred as Anna and .
  • 1966: The play was successfully revived in Los Angeles at the Huntington Hartford Theatre on May 2 and ran through May 21. Directed by , it starred his wife as Anna, with as Chris and Hermione Baddeley as Marthy. The show then transferred to the Tappen Zee Playhouse in Nyack, New York where it ran from June 23 to July 2 with replacing Baddeley as Marthy.
  • 1977: The play was revived at the Imperial Theatre on April 14, 1977, directed by José Quintero and designed by Ben Edwards. It starred as Anna, , and Mary McCarty. It received nominations for Liv Ullmann as Best Actress and for Mary McCarty as Best Featured Actress. It ran for 124 performances.
  • 1990: The play was staged at the Young Vic theatre in London and starred Natasha Richardson.
  • 1993: The play was revived on Broadway on January 14, 1993 by The Roundabout Theatre Company at the Criterion Center Stage Right. It was directed by and designed by John Lee Beatty. It starred Natasha Richardson, , , and . It received nominations for Best Actress (Natasha Richardson), Best Actor (Liam Neeson), Best Featured Actress (Anne Meara), Best Direction (David Leveaux), and won the award for Best Revival. Neeson and Richardson both received the Theatre World Award. The production won the Drama Desk Award for Outstanding Revival and the Drama Desk Award for Outstanding Actress in a Play for Richardson. It ran for 54 performances.
  • 2002: The play was directed by Gar Campbell at the Pacific Resident Theatre, rerunning from January 5, 2002 to May 5, 2002, starring .
  • 2011: The play was produced at the , London, running from August 4, 2011 to October 8, 2011, with Ruth Wilson as Anna, as Mat, and as Chris. It was positively received by critics, with mostly 4 and 5 star reviews, and it won the 2012 for "best revival".
  • 2025: The play was revived at St. Ann's Warehouse in Brooklyn, directed by and starring Michelle Williams, , Brian d'Arcy James and .>


Adaptations
The play was adapted by Bradley King for a 1923 film of the same name directed by John Griffith Wray and Thomas H. Ince, with stars , William Russell, George F. Marion, and .

The play inspired Kiri no Minato, directed by Kenji Mizoguchi in 1923, though the plot is quite different from the original. This film is lost.

A 1930 film adaptation by was directed by and starred , , George F. Marion and . This film used the marketing slogan "Garbo Talks!", as it was her first talkie. Her first spoken line has become one of her most famous: "Give me a whiskey with ginger ale on the side, and don't be stingy, baby." George F. Marion, who had performed the role of Anna's father in the original production, reprised the role in both the 1923 and 1930 film adaptations.

A German-language adaptation, also starring Garbo, was filmed in 1930 and released the same year, using the same production as the English language film that had concluded filming in 1929. This version was adapted by Frances Marion, translated by Walter Hasenclever and directed by . In addition to Garbo, the cast included Theo Shall, Hans Junkermann, and .

In 1957, a thoroughly reworked adaptation by with music and lyrics by , called New Girl in Town, opened on Broadway. It ran for 431 performances.

In 2018, Encompass New Opera Theatre presented an opera adaptation composed by Edward Thomas with a libretto by at the Performing Arts Center in New York City. Directed by Nancy Rhodes and conducted by , it featured Melanie Long in the title role, Frank Basile as Chris, Jonathan Estabrooks as Mat, Joe Hermlayn as Marthy and Mike Pirozzi as Larry. It ran for 12 performances. A recording with the original cast, produced by Thomas Z. Shepard and conducted by , with the orchestra NOVUS New York, will be released by Broadway Records on August 16, 2019. It is a collaboration of Trinity Church and Encompass New Opera Theatre.


Trivia
According to actress in the 2012 film Marilyn in Manhattan, performed a scene from Anna Christie at the with Maureen Stapleton. Calling the story "legendary," Burstyn said, "Everybody who saw that says that it was not only the best work Marilyn ever did, it was some of the best work ever seen at Studio, and certainly the best interpretation of Anna Christie anybody ever saw. She... achieved real greatness in that scene."


Awards and nominations

Original Broadway production
1922Pulitzer Prize for DramaEugene O'Neill


1977 Broadway production
1977Best Actress in a Play
Best Featured Actress in a PlayMary McCarty
Outer Critics CircleOutstanding Actress in a PlayLiv Ullman


1993 Broadway production
1993Best Revival of Play
Best Direction of a Play
Best Actor in a Play
Best Actress in a PlayNatasha Richardson
Best Featured Actress in a Play
Drama Desk AwardOutstanding Revival of a Play
Outstanding Actress in a PlayNatasha Richardson
Outer Critics CircleOutstanding Revival of a Play
Outstanding Debut PerformanceNatasha Richardson
Theater World AwardDistinguished PerformanceLiam Neeson
Natasha Richardson


2011 West End Revival
2012Laurence Olivier AwardsBest Revival
Best Actor
Best Actress
Best Costume Design
Best Lighting DesignHoward Harrison


Further reading
  • Johnson, Katie N. “‘Anna Christie’: The Repentant Courtesan, Made Respectable.” The Eugene O’Neill Review 26 (2004): 87–104.


External links

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